Why? WHY?
Is it incomprehensible that sometimes we need a BREAK from words? We love 'em, sure, but 24/7 language can get as boring as your day job stuffing envelopes. Sometimes, other creative outlets are appreciated people!
Gahhhhhhhhh. Non-literary people stereotypes about us booky types.
Write Now:
What I'm listening to: Nothing at the moment.
What I want most: a mind break. Non-word related. No books. No writing. Gimme the mind fluff.
I simply don't understand. Freelance BY definition is multiple venues, so how come the modus operandi has changed to be multiple non-fiction MARKETS?
No, I am not interested in breaking into a cat magazine when I have no cats. Yes, maybe some crazy dude is challenging himself to query his way through the entire Writer's Digest Freelance Market (true story, but I have lost the link. Sorry! Later edit to come) but I am still a freelancer, am I not? AM I NOT?
Wheeeeeeew, and deep breath.
Self-employed. Frequent changes between publishers. Creation of works first then the query. Sounds like me, right? RIGHT?
I AM FREELANCE TOO! GIVE US POETRY AND PROSE PEOPLE SOME LOVE TOO! IT IS NOT ALL ABOUT NON-FICTION.
And if you think otherwise, you are clearly more knowledgeable than me, so go ahead. Enlighten me. WHY SHOULDN'T THERE BE AN ARTICLE ON FREELANCING THE SMALL PRESSES? HUH? HUH?
Write Now:
What I'm listening to: Nuthin, calming down for bed (lol, we'll see how this goes)
What I want most: sleeeeeeeeeeeeeeeeepppp!
I had an Epiphany of the Week, but I've been sidling up to this idea for months now, so in all reality it's not that shocking.
I hate my published work.
Which is a horrible, terrible, awful thing to say on my professional blog about my work, to publicize my work to potential readers and publishers. Really, it's asinine to say such a thing.
Still the truth though.
I'm not sure if the emotion is based on the hours and hours of creation, and the hours and hours of revision that went into the completion of each piece. It might be just a case of "familiarity breeds contempt." I've no doubt it's an element.
But I also know that the pieces I'm most proud of are still sitting on my desktop after multiple rejections. Then I remember that not many days ago I wrote how my poem "A Writer's Apology" was the published piece I'm most proud of. Then I notice the subconscious qualifier of published. And finally I get fed up with myself for not being happy with myself along with the simultaneous acknowledgment of ambition and the desire to be the best at my passion. None of these thoughts should be cringe-worthy, but the tangle in my head would like to contradict.
I have flashes of content- a title, a new technique, an example of word choice. I would never say I'm ashamed of my pieces. I've worked too hard for that. I'm glad of what I've achieved, and I wouldn't change anything. Still, I have a nagging sense of ... disappointment? discouragement? distrust? And the feeling persists until I push it all away with disgust.
I have the suspicion that I'm better at fiction, and only write poetry because I know the ending is only within a few more lines.
Right Now:
What I'm listening to: Sara Jackson Holman "Cellophane"
What I want most: faster internet... all these downloads are killing my reaction time
I love being published. But the rapid return in publishing that I have seen in the last six months-- in the last six WEEKS- makes me wonder.
Am I just whoring myself out?
I get published, yes. And one can argue that any published work is better than no work at all. However, when I get three poems all accepted to the same magazine, is that real publication? ESPECIALLY when a "filler" poem got accepted? I have taken the Paternal Voice's advice to always submit the maximum amount, because it truly does make statistical sense, and have been sending off batches of 4 or 5 or 6 poems with the understanding that not all of the poems will exactly fit the venue, and with the understanding that one, if any, of the poems will be seriously considered for publication. Even less will actually be published.
So I suddenly get published, boom boom boom, and I am left in the dark, on my back, wondering if I have just been used. Could I have done better? Was this the wisest choice? There is that flavor of shame and regret that accompanies bad life decisions that lingers in my mouth.
I don't know. I don't know what IS the best move. Poetry publication is very different than book/novel publishing. I somewhat understand that sort of industry from Writer's Digest and The Writer (which tend to focus on longer pieces), but I admit that I have not yet come to understand the strategy behind the poetry publication industry.
So, what IS it that I should do? Should I continue to publish, or should I hold my work in reserve, trying to find the "ideal" market that I'm not sure even exists? I don't know.
For now, all I can do is write. And ask around for the opinions of other writers and professionals that have come up against this issue before. So chime in. I'd love to know what you think, and how you dealt with this yourself.
Right now:
What I'm listening to: poetry.
What I want most: good advice.
So today I got published twice.
One was a poem ("Diaspora") that was accepted by the Mandala Journal, an online student-run multicultural journal for poets, writers, artists, and thinkers published by the Institute for African American Studies at The University of Georgia. My poem will be released in a themed journal 2009-2010 issue, "Cosmopolitanism," will launch in the new online format on April 14, 2010.
Very, very exciting news. "Diaspora" just happens to be the first poem that I ever wrote under the tutelage of the poetry professor that I consider to be my mentor, and I'm pleased by the symmetry that it is also the first poem accepted by a journal with more weighty reputation than my campus publications. To make it clear, I in no way undervalue these publications. They have gotten me published, established my resume, and provided a foundation for my career and reputation. In those terms, the magazines are invaluable. On the other hand, these are student run publications, and in some ways reflect that. It is peer-reviewed, but not colleague-reviewed, if that difference makes any sense. We are all student authors trying to get started, and not professionals as yet.
I will likely post on this topic again, but moving on for now.
The other publication for today is an article in my campus newspaper. Again, I am truly glad that I got
published. The experience is always good, of course, life values gained, etc etc etc.
And it's a good article, it's just not ...mine.
I'm very obviously a very green newbie at journalism. I've somehow been infected with the idea, and have pursued opportunities in journalism on and off for the past six months. None of them really worked out, so I was excited by the opportunity presented in writing this article. I was finally writing! I was going to get published! I was going to find my niche, move to New York, and win the Pulitzer within the next ten years!
Well, you know this story.
I genuinely like interviewing people. I like thinking of questions, and I would be willing to continue that sort of journalism. But feature stories, articles, are something different.
There are rules to articles-- at least three quotable individuals, none of which you know personally (and on a campus this size, it's inevitable that you know at least one of the parties, if not all). You have to have a specific outline- hook, summary, quote, paragraph, quote, paragraph, quote, paragraph, etc etc, concluding quote. You, the writer, cannot appear at all in the course of the articles. So humor is out. So are opinions.
All of these things are just formulas that grow easier with experience and exposure. I could *possibly* grow to like them if I had a little more guidance and extended deadlines. But journalism is of course is about providing current and breaking news, so deadlines means 48 hours or less turnover.
Writing all of this, I realize that my dislike for journalism is more about my first experience, rather than journalism itself. I probably will never catch on fire for it (too dry, though that does NOT mean I think it lacking in creativity. It's just a different creative gene that didn't present dominantly in my microscopic makeup).
See, I got edited.
Editors are there for a reason. I need them, and I needed my editors for the article-- again, I'm the newbie, and I made some rather large boo-boos (namely, the humor and opinions mentioned earlier.) My editors are wonderful people, and had only intended to help me, the newbie, out. And the resulting article is much better... in terms of journalism. I also wrote only about 15% of what got printed. Under my name.
So when potential employers look at my resume and say, "Blah, blah, blah was a good article- how did you come up with the angle you took?" I have to say
"I didn't."
When students and friends and faculty look at the newspaper today, they'll see my work and judge ME on it. Maybe they didn't like the structure of X sentence in Y paragraph. They'll think "Did she really think that was okay?"
I didn't. I didn't write that entire paragraph. Or the one following.
And the professor that I interviewed. What is she going to think about my article? There's always the risk of offending your principle subject, and I knew I was running that risk the moment I started writing. But if I run that risk, I wanted to undertake it WITH MY OWN WORDS. Then, if I get called on it later, I can defend myself. "This was my thinking, this was my motivation, this was my intention, this was the expected outcome." And then we can resolve it, or not. But it will all be under my OWN words.
Words are my business. I live by them. I eat by them. I pay bills, get new jobs, pay more bills by them. When I die, I will be known only by the words I leave behind. When someone takes away my words, what am I left with?
I can't let someone take away the only thing that makes me ME.
I'm not that kind of girl.
Right Now:
What I'm listening to: overhead speaker music at B&N
What I want most: No school Monday?
Ugh! I revisited the slush pile today, and it was NOT a good decision. I am beyond displeased. I HATE the slush pile. No, I abhor the slush pile. Yes, abhor is a good word. A very good word.

